週次 |
日期 |
單元主題 |
第1週 |
9/15 |
Introduction: Ibsen and the problems of modernity |
第2週 |
9/22 |
Lukacs’s idea about the novel and the Romantic view of literature and history |
第3週 |
9/29 |
Peter Szondi’s framework of modern drama |
第4週 |
10/06 |
G. Buchner’s Woyzeck (1835~37) |
第5週 |
10/13 |
Eugene Scribe’s A Glass of Water (Le Verre d'eau) (1840) |
第6週 |
10/20 |
Hebbel’s Maria Magdalena (1844) |
第7週 |
10/27 |
Ibsen’s anti-Romanticism: Love’s Comedy (1862) |
第8週 |
11/03 |
Ibsen’s Epic: Brand (1866) |
第9週 |
11/10 |
An Enemy of the People (1882) |
第10週 |
11/17 |
The Wild Duck (1884),Rosmersholm (1886) |
第11週 |
11/24 |
Ibsen’s John Gabriel Borkman (1896),Samuel Beckett’s Waiting for Godot (1952) |
第12週 |
12/01 |
Gerhart Hauptmann’s The Weavers (1892), Gorky’s The Lower Depths (1902) |
第13週 |
12/08 |
Strindberg’s Miss Julie (1888), Ibsen’s Hedda Gabler (1890), Chekhov’s Uncle Vanya (1897) |
第14週 |
12/15 |
August Strindberg’s To Damascus (1897~1904),A Dream Play (1901) |
第15週 |
12/22 |
Maurice Maeterlinck’s The Intruder, The Blind (1890) |
第16週 |
12/29 |
Pirandello’s Six Characters in Search of an Author (1922) |
第17週 |
1/05 |
Harold Pinter’s Homecoming (1964),Sam Shepard’s Buried Child(1978) |
第18週 |
1/12 |
Final discussion |